Musicoterapia en el proceso de recuperación y liberación de la violencia de género: estudio de caso.

Laure Rodríguez Quiroga

doi:10.59028/misostenido.2024.04

Authors

Laure Rodríguez Quiroga Musicotherapie Sans Frontières (Francia) https://orcid.org/0009-0000-5066-9907

DOI:

https://doi.org/10.59028/misostenido.2024.04

Keywords:

Music Therapy, gender-based violence, intersectionality, Andalusian, GIM, Islam

Abstract

Music therapy, increasingly widespread in integrative therapeutic interventions, offers a range of possibilities in supporting victims and survivors of gender violence.The present project aims to outline a case study, based on an innovative context.Taking as reference a transformative narrative and moving away from stereotyping, moving outside the reductionist paradigm for offered by specifically addressing therapeutic intervention with the Muslim population, from an intersectional perspective, focusing on the case of a woman who, due to religious interpretation, rejects the use of music.That is why, inspired by the Andalusian music therapy model and its similarities with Helen Bonny's GIM model, the intention is to verify the effect that the musicality of the Quran generates in reducing the state of anxiety and stress associated with exposure to any of the aspects of abuse. Analyzing the results that have been obtained throughout the entire process, it can be concluded that the contribution of the recitation of the Quran, as a receptive method in a music therapy program, is positive.

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